Angry Metal Guy<p><a href="https://www.angrymetalguy.com/aversed-erasure-of-color-review/" rel="nofollow noopener noreferrer" target="_blank">Aversed – Erasure of Color Review</a></p><p><i>By Dolphin Whisperer</i></p><p>Melodeath is an old, reliable friend for many a metalhead. Ever since the <strong>In Flames</strong> and <strong>Arch Enemies</strong> of the World took an anthemic and accessible version of the Gothenburg sound to the masses throughout the ’90s and ’00s, countless acts and other regional sounds have emerged from rollicking riff and less-than-deathly vocal inclusions. But combined with the right personal flair—a modern melding of blackened, jazzned, and altned influences much like contemporary wildcards <a href="https://www.angrymetalguy.com/dawn-of-ouroboros-bioluminescence-review/" rel="nofollow noopener noreferrer" target="_blank"><strong>Dawn of Ouroboros</strong></a> or <a href="https://www.angrymetalguy.com/vintersea-woven-into-ashes-review/" rel="nofollow noopener noreferrer" target="_blank"><strong>Vintersea</strong></a>—melodic extreme metal forms have a growing presence in the hands of those who came of age with this musical history as their guide. Imitation breeds iteration, and, combined with adoration, the heart hopes to find a path alongside its infatuations, not just in shadow. <strong>Aversed</strong> walks the walk and <em>Erasure of Color</em> talks the talk.</p><p>As yet another product of a Berklee pedigree, in part, the Massachusetts-hailing <strong>Aversed</strong> displays a technical polish across their languished and rifftacular displays that saturates <em>Erasure of Color</em> far beyond mere hero worship. Rather than use these exemplary qualifications to noodle and sweep songs to oblivion, guitarist and primary songwriter Sungwoo Jeong runs with his talents through a gamut of heavy metal influences, from the Jeff Loomis-indebted (<strong>Nevermore</strong>, ex-<strong>Arch Enemy</strong>) squeals and scale runs (“Lucid Decapitation,” “Burn”) to a classic heavy metal strum and wail (“Departures”) that shade the languid messages sewn through <em>Erasure</em>. Of course, Jeong can shred and does so in flashes of neoclassical brilliance once cutthroat chords and rattling bass runs build tension enough to will an electric clearing (“Cross to Bear” and “Departure” having the wildest solos). Compared to the full-length debut, 2021’s <a href="https://aversed.bandcamp.com/album/impermanent" rel="nofollow noopener noreferrer" target="_blank"><em>Impermanent</em></a>, the structures here are tighter, darker, and loaded with an expedited drama.</p><p></p><p>Emotion comes first, whether at Jeong’s nimble articulations or new vocalist Sarah Hartman’s vast array of screeching, tearing, and slithering harsh and clean vocal techniques. And through languishing cry, soulful croon, and whammy-kissed solo, <strong>Aversed</strong> builds a world through <em>Erasure</em> that’s as detailed as it is immediate. Churning riffs pave the way for Hartman to unleash laryngeal assaults of growing intensity, equally likely to find feral shrill (“To Cover Up the Sky,” “Lucid Decapitation”) as they are full-chested clean belting (“Inexorable,” “Departure”). It may seem that Hartman’s ferocious and elegant climbs drive the growth of each of <em>Erasure</em>’s numbers, but Jeong’s blend of Björriff to bright metalcore chase, and thrashy groove to swaying treble dive guitar action, carries just as much the energetic arc. Covered in echoing arpeggios (“Lucid Decapitation”), scorching bends (“Burn,” “Erasure of Color”), and unstoppable charges (“To Cover…”) <em>Erasure</em> wears a guitar identity that’s toothsome and exhilarating.</p><p></p><p>However, as strong as the pull of <strong>Aversed</strong>’s fervent rhythms and dreamlike melodies are on the best cuts from <em>Erasure</em>, its back half finds a more tepid momentum. It’s hard to say where a song like “Solitary” belongs on an album like this as its ballad-like nature neither swells with grandiosity of similar closer “Departures” nor slams, at its conclusion, with the level of thuggishness of the preceding “Burn.” And with the burst of speed that the title track injects after “Solitary” and before the acoustic interlude “Yearning,” the inherent tempo jostle that succeeds within many tracks feels bumpy at the macro level—really, <strong>Aversed</strong> has an exacting feel for acceleration and easing within the confines of each individual piece. <em>Erasure</em> doesn’t have a higher-level concept to spin, though, so any dip in quality or overall flow—even if no song is ever bad—is to its slight detriment.</p><p>Alas, it’s easy to love the best of what <strong>Aversed</strong> has to offer with <em>Erasure of Color</em>, its clanging rhythms and finessed guitar weeping sticking readily to memory with its most careful hooks. Finding contemporary touchstones adjacent to the blackened melodic tech of Australia’s <a href="https://www.angrymetalguy.com/freedom-of-fear-carpathia-things-you-might-have-missed-2022/" rel="nofollow noopener noreferrer" target="_blank"><strong>Freedom of Fear</strong></a>, the hypnotic whammy abuse of the frenetic <a href="https://www.angrymetalguy.com/fallujah-empyrean-review/" rel="nofollow noopener noreferrer" target="_blank"><strong>Fallujah</strong></a>, and accessible progressive aim of <strong>Vintersea</strong>, <strong>Aversed</strong> emboldens the forward-thinking melodeath scene to make an effort to be more riff-driven, more hook-wielding, and more vocally distinct. <em>Erasure of Color</em> does everything but paint <strong>Aversed</strong> as a one-trick pony. And in time, I’m certain<a href="https://www.angrymetalguy.com/aversed-erasure-of-color-review/#fn-213561-1" rel="nofollow noopener noreferrer" target="_blank">1</a> that <strong>Aversed</strong>, in their impassioned and empathetic lashings, will find even more weaponized and wide-reaching aggression.</p> <p><strong>Rating</strong>: 3.5/5.0<em><br></em><strong>DR</strong>: 7 | <strong>Format Reviewed</strong>: 320 kbps mp3<br><strong>Label</strong>: <a href="https://www.m-theoryaudio.com/" rel="nofollow noopener noreferrer" target="_blank">M-Theory Audio</a> | <a href="https://m-theoryaudio.bandcamp.com/music" rel="nofollow noopener noreferrer" target="_blank">Bandcamp</a><br><strong>Websites</strong>: <a href="http://aversed.bandcamp.com/music" rel="nofollow noopener noreferrer" target="_blank">aversed.bandcamp.com</a> | <a href="https://www.facebook.com/AVERSEDmetal" rel="nofollow noopener noreferrer" target="_blank">facebook.com/aversedmetal</a><br><strong>Releases Worldwide</strong>: March 21st, 2025</p><p><a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/2025/" target="_blank">#2025</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/35/" target="_blank">#35</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/american-metal/" target="_blank">#AmericanMetal</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/arch-enemy/" target="_blank">#ArchEnemy</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/aversed/" target="_blank">#Aversed</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/dawn-of-ouroboros/" target="_blank">#DawnOfOuroboros</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/erasure-of-color/" target="_blank">#ErasureOfColor</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/fallujah/" target="_blank">#Fallujah</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/in-flames/" target="_blank">#InFlames</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/m-theory-audio/" target="_blank">#MTheoryAudio</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/mar25/" target="_blank">#Mar25</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/melodic-death-metal/" target="_blank">#MelodicDeathMetal</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/nevermore/" target="_blank">#Nevermore</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/progressive-death-metal/" target="_blank">#ProgressiveDeathMetal</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/progressive-metal/" target="_blank">#ProgressiveMetal</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/progressive-metalcore/" target="_blank">#ProgressiveMetalcore</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/vintersea/" target="_blank">#Vintersea</a></p>
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Angry Metal Guy<p><a href="https://www.angrymetalguy.com/dawn-of-ouroboros-bioluminescence-review/" rel="nofollow noopener noreferrer" target="_blank">Dawn of Ouroboros – Bioluminescence Review</a></p><p><i>By Killjoy</i></p><p>Bioluminescence describes a chemical reaction occurring within living organisms to produce light. This is an apt metaphor for Oakland, California’s <strong>Dawn of Ouroboros</strong> and their iridescent combination of two disparate songwriting techniques. According to the promo material, guitarist Tony Thomas<a href="https://www.angrymetalguy.com/dawn-of-ouroboros-bioluminescence-review/#fn-213206-1" rel="nofollow noopener noreferrer" target="_blank">1</a> takes a methodical approach while vocalist Chelsea Murphy frequently lets improvisation take the reins. The results so far have elicited mixed reactions from our writers: <span><strong>Master of Muppets</strong></span><a href="https://www.angrymetalguy.com/dawn-of-ouroboros-bioluminescence-review/#fn-213206-2" rel="nofollow noopener noreferrer" target="_blank">2</a> <a href="https://www.angrymetalguy.com/dawn-of-ouroboros-the-art-of-mythology-review/" rel="nofollow noopener noreferrer" target="_blank">sagely noted</a> great potential in their debut, whereas follow-up <a href="https://www.angrymetalguy.com/dawn-of-ouroboros-velvet-incandescence-review/" rel="nofollow noopener noreferrer" target="_blank"><em>Velvet Incandescence</em></a> was largely lost on <span><strong>Itchymenace</strong></span>,<a href="https://www.angrymetalguy.com/dawn-of-ouroboros-bioluminescence-review/#fn-213206-3" rel="nofollow noopener noreferrer" target="_blank">3</a> who found it too stylistically inconsistent. I, however, was less bothered than <span><strong>Itchy</strong></span> by the sharp twists and turns of <em>Velvet Incandescence</em> (it even squeaked into my 2023 top ten(ish) list), so I stood ready to rush to <strong>Dawn of Ouroboros</strong>’ aid with plenty of cortisone cream for the release of <em>Bioluminescence</em>.</p><p>If there’s anything we three reviewers can agree on, <strong>Dawn of Ouroboros</strong>’ sound is nigh impossible to encapsulate using other bands or even entire subgenres as easy reference points. They mix contemporary black and death metal in a similar manner as <strong>Vintersea</strong>, but instead of melodeath as a secondary influence, they favor the thoughtful post/prog of <strong>Dreadnought</strong>. As most bioluminescent life is found in the ocean, the musical tones fittingly evoke aquatic imagery. Many of the vocal and guitar melodies are lush and floaty (“Bioluminescence,” “Slipping Burgundy”). Other times, the rhythm section pulsates alongside spiky synth lines, roiled by fierce growls and screams from above. Though its form differs from album to album, this dichotomy between pacific and tempestuous should feel very familiar to fans of <strong>Dawn of Ouroboros</strong>.</p><p></p><p><em>Bioluminescence</em> is more of an amplification than a reimagining of <strong>Dawn of Ouroboros</strong>’ polarity. Nowhere is this more evident than in Chelsea Murphy’s multifaceted vocals. She possesses an uncommon ability to switch on a dime between dreamy singing and raw screams–reminding me of Eva Korman (<strong>Rolo Tomassi</strong>)–and now she pours even more sugar and spice into the mix. Her singing has become quite impassioned, sounding smooth and jazzy in “Slipping Burgundy” and adopting a breathy, almost pleading tone in “Fragile Tranquility.” On the other hand, Murphy’s harsh vocals have become a real force of nature on <em>Bioluminescence</em>, like the upgrading of a tropical storm to a hurricane, and when she unleashes her howling screams (“Nebulae,” “Dueling Sunsets”), they resemble the blinding brightness of burning magnesium. Though her upper limits are undoubtedly awe-inspiring, they can be distracting and, perhaps, a bit too cataclysmic for what this type of music warrants.</p><p></p><p>Despite the more volatile mood swings than before, <strong>Dawn of Ouroboros</strong> has found greater overall consistency. Granted, they are still prone as ever to bounce between styles as if flipping through TV channels or radio stations, but on <em>Bioluminescence</em> they drift closer to the death metal side of their persona, finding a happier medium between it and the sprawling post-black of their earlier work. This more straightforward attitude works particularly well on “Static Repetition,” with relentless riffing and drumming that pummel like crashing waves. The tradeoff is that Tony Thomas’ lead guitar melodies that were so untiringly adventurous on <em>Velvet Incandescence</em> are diminished in length and emotional impact. They’re still present on nearly every song, but they seem to be kept on a shorter leash. This may be because the group is down to one guitarist–rhythm guitarist Ian Baker now taking over as bassist–but, whatever the reason, it feels like one of my favorite aspects of <strong>Dawn of Ouroboros</strong> has been partially eroded.</p><p>Nonetheless, I expect that <em>Bioluminescence</em> will be widely regarded as a step up, the greater intensity and emphasis on Murphy’s impressive vocals winning over new fans. While I miss some of the proggy, freewheeling tendencies of <em>Velvet Incandescence</em>, it’s easy to recognize and admire the determination of <strong>Dawn of Ouroboros</strong> to continually stretch in search of their limits as musicians. They are talented at experimenting while avoiding the “kitchen sink” phenomenon, but those who are, like <span><strong>Itchy</strong></span>, susceptible to stylistic seasickness may still wish to seek smoother sailing elsewhere. As for me, I look forward to what <strong>Dawn of Ouroboros</strong> cooks up next. They’ve proven that the only thing we can expect from them is the unexpected.</p> <p><strong>Rating</strong>: 3.5/5.0<br><strong>DR:</strong> 4 | <strong>Format Reviewed:</strong> 320 kbps mp3<br><strong>Label:</strong> <a href="https://prostheticrecords.com/" rel="nofollow noopener noreferrer" target="_blank">Prosthetic Records </a><br><strong>Websites:</strong> <a href="http://dawnofouroboros.bandcamp.com" rel="nofollow noopener noreferrer" target="_blank">dawnofouroboros.bandcamp.com</a> | <a href="https://www.facebook.com/dawnofouroboros/" rel="nofollow noopener noreferrer" target="_blank">facebook.com/dawnofouroboros</a><br><strong>Releases Worldwide:</strong> March 7th, 2025</p><p><a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/2025/" target="_blank">#2025</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/35/" target="_blank">#35</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/american-metal/" target="_blank">#AmericanMetal</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/bioluminescence/" target="_blank">#Bioluminescence</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/black-metal/" target="_blank">#BlackMetal</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/dawn-of-ouroboros/" target="_blank">#DawnOfOuroboros</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/death-metal/" target="_blank">#DeathMetal</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/dreadnought/" target="_blank">#Dreadnought</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/mar25/" target="_blank">#Mar25</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/post-metal/" target="_blank">#PostMetal</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/progressive-death-metal/" target="_blank">#ProgressiveDeathMetal</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/progressive-metal/" target="_blank">#ProgressiveMetal</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/prosthetic-records/" target="_blank">#ProstheticRecords</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/review/" target="_blank">#Review</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/reviews/" target="_blank">#Reviews</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/rolo-tomassi/" target="_blank">#RoloTomassi</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/vintersea/" target="_blank">#Vintersea</a></p>
Your Future Ex<p>And another one for <span class="h-card" translate="no"><a href="https://metalhead.club/@loewe" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>loewe</span></a></span>'s <a href="https://metalhead.club/tags/MusicWomenWednesday" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>MusicWomenWednesday</span></a>:</p><p><a href="https://metalhead.club/tags/Vintersea" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Vintersea</span></a>: The Holy Procession</p><p><a href="https://song.link/c5sj7c6q5mnbs" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="">song.link/c5sj7c6q5mnbs</span><span class="invisible"></span></a></p><p><a href="https://metalhead.club/tags/AtmosphericMelodicProgressiveDeathMetal" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AtmosphericMelodicProgressiveDeathMetal</span></a></p><p>FFO <a href="https://metalhead.club/tags/DawnOfOuroboros" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DawnOfOuroboros</span></a> <a href="https://metalhead.club/tags/DefacingGod" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DefacingGod</span></a> <a href="https://metalhead.club/tags/OnceHuman" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>OnceHuman</span></a></p>
Your Future Ex<p>For <span class="h-card" translate="no"><a href="https://metalhead.club/@loewe" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>loewe</span></a></span>'s <a href="https://metalhead.club/tags/MusicWomenWednesday" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>MusicWomenWednesday</span></a>:</p><p><a href="https://metalhead.club/tags/Vintersea" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Vintersea</span></a>: No Tomorrow</p><p><a href="https://song.link/wnvtzntp7k69v" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="">song.link/wnvtzntp7k69v</span><span class="invisible"></span></a></p><p><a href="https://metalhead.club/tags/MelodicDeathMetal" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>MelodicDeathMetal</span></a> <a href="https://metalhead.club/tags/ProgressiveMetal" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ProgressiveMetal</span></a></p><p>FFO <a href="https://metalhead.club/tags/AbstractIllusion" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AbstractIllusion</span></a> <a href="https://metalhead.club/tags/DawnOfOuroboros" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DawnOfOuroboros</span></a>#DeathDealerUnion</p>
User name cannot be blank 🇪🇺<p>Apologies for being a little late with this<br>____</p><p>My musical listening highlights for the week ending 2023/12/21 as curated by <a href="https://www.Last.fm" rel="nofollow noopener noreferrer" target="_blank"><span class="invisible">https://www.</span><span class="">Last.fm</span><span class="invisible"></span></a></p><p><a href="https://mastodon.sdf.org/tags/happyCurrentListening" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>happyCurrentListening</span></a> <a href="https://mastodon.sdf.org/tags/LastFM" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>LastFM</span></a></p><p><a href="https://mastodon.sdf.org/tags/Slayer" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Slayer</span></a> <a href="https://mastodon.sdf.org/tags/SaySheShe" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>SaySheShe</span></a> <a href="https://mastodon.sdf.org/tags/EllesBailey" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>EllesBailey</span></a> <a href="https://mastodon.sdf.org/tags/BethHart" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>BethHart</span></a> <a href="https://mastodon.sdf.org/tags/Vintersea" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Vintersea</span></a> <a href="https://mastodon.sdf.org/tags/Fran%C3%A7oiseHardy" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>FrançoiseHardy</span></a> <a href="https://mastodon.sdf.org/tags/SteeleyeSpan" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>SteeleyeSpan</span></a> <a href="https://mastodon.sdf.org/tags/ChantelMcGregor" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ChantelMcGregor</span></a> <a href="https://mastodon.sdf.org/tags/BorderlineToxic" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>BorderlineToxic</span></a> <a href="https://mastodon.sdf.org/tags/AceFrehley" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AceFrehley</span></a> <a href="https://mastodon.sdf.org/tags/KobraPaige" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>KobraPaige</span></a></p>
User name cannot be blank 🇪🇺<p>Apologies for being a little late with this<br>____</p><p>My musical listening highlights for the week ending 2023/12/14 as curated by <a href="https://www.Last.fm" rel="nofollow noopener noreferrer" target="_blank"><span class="invisible">https://www.</span><span class="">Last.fm</span><span class="invisible"></span></a></p><p><a href="https://mastodon.sdf.org/tags/happyCurrentListening" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>happyCurrentListening</span></a> <a href="https://mastodon.sdf.org/tags/LastFM" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>LastFM</span></a></p><p><a href="https://mastodon.sdf.org/tags/SaySheShe" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>SaySheShe</span></a> <a href="https://mastodon.sdf.org/tags/Vintersea" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Vintersea</span></a> <a href="https://mastodon.sdf.org/tags/SophieLloyd" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>SophieLloyd</span></a> <a href="https://mastodon.sdf.org/tags/SteeleyeSpan" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>SteeleyeSpan</span></a> <a href="https://mastodon.sdf.org/tags/Sepultura" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Sepultura</span></a> <a href="https://mastodon.sdf.org/tags/BraveRival" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>BraveRival</span></a> <a href="https://mastodon.sdf.org/tags/BorderlineToxic" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>BorderlineToxic</span></a> <a href="https://mastodon.sdf.org/tags/AnnaTernheim" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AnnaTernheim</span></a> <a href="https://mastodon.sdf.org/tags/PatsyGallant" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>PatsyGallant</span></a> <a href="https://mastodon.sdf.org/tags/LzzyHale" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>LzzyHale</span></a> <a href="https://mastodon.sdf.org/tags/TerryPratchett" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>TerryPratchett</span></a></p>
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