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#drypoint

1 post1 participant1 post today
Public
Annabelle Capelli
Rétrospective#11
Previously on Instagram

Petite passion pour les cailloux, les cristaux mais aussi et ce n'est pas étonnant, le beton !
Et admiratrice de certain aspect de l'architecture du Corbusier (mais peu du bonhomme...)

Travail sur Tetra Pak qui s'accorde bien avec la rusticité des surfaces et les imperfections assumées de ses coffrages.

Souvenirs d'un voyagesn en Irlande
Et d'une balade à marée basse, entre rochers et gouilles d'eau sur la côte du Connemara.
L'inspiration à mes pieds : un pot-pourri irlandais de lichens et algues, de granit et mousses veloutées.

#tetrapak #tetrapakprint #tetrapakprinting #pointeseche #
#drypoint #gravure#printmaking #engraving #homeprint #parlonsgravure #architecture #brutalisme #brutalist #lecorbusier #citeradieuse#couventdelatourette
Public
Annabelle Capelli
Rétrospective#10
Previously on Instagram

Souvenirs d'une balade en Irlande à marée basse, entre rochers et gouilles d'eau sur la côte du Connemara.
L'inspiration à mes pieds : un pot-pourri irlandais de lichens et algues, de granit et mousses veloutées.

#rhenalon #pointeseche #carborundum
#drypoint #gravure#printmaking #engraving #chinecolle #irlande #ireland #irelandtravel #irelandnature #vert #green #nature #naturelovers #rocks
#rocks
Public
eabadea
Starting out big by sharing a triptych that was sold at last years' Hristmas market and some if my favourite pieces. Consisting of the works:
"Best part of summer24', Mycelia & Worst part of summer 24' "

Now it's hanging in the entrance of a happy owner 😊

*Detailed info for the curious reader*:

Intaglio printing, drypoint etching on zink plates handprinted on acid free quality cotton paper with oilbased ink in prussian blue and yes, orange. 😅 The chemical reaction between the ink and zink plate reminds of burned sienna. Which is why the colors seems a bit different but this has been depending on how long I've spend on removing the ink from the plate.

#intaglio #intaglioprinting #zinkplate #handmade #handcrafted #triptych #prussianblue #drypoint #graphicprinting #traditional
#traditional
Public
Jonathan Emmesedi

Norbert Goeneutte -- Smiling Woman Reclining on a Sofa (Femme souriant etendue sur un canape)- Drypoint -- early 1890s (?) -- National Gallery of Art, Washington DC --Public domain

I like the contrast between the pale face and the dark hair and collar. The artist's of the various fabrics impresses me too. In addition, the unusual pose is striking.

A young woman lies on a sofa, her torso being virtually perpendicular to her lower body. One foot is extended so as to be visible beneath the the hem of her long dress. She has a faint smile on her pale face, and her short black hair is visually echoed by a black collar or scarf.
#Art#FrenchArt#Prints
Public
Ele Willoughby, PhD

For the final crustacean of May and the “really not a crab” prompt for #InsertAnInvert2024 I have opted for a far more common (and frankly less terrifying) little creature than the suggested species (that even our crustacean expert called “absolute abominations”). This little cutie on the other hand, is a freshwater water flea. Daphnia longispina is a planktonic crustacean of the 🧵1/n

Circular green Tetrapak intaglio print of Daphnia longispina, a tiny planktonic crustacean of the family Daphniidae, a cladoceran native to Eurasia. Only about 2 mm long, it’s found in all sorts of standing freshwater bodies from rock-pools to large lakes.
#printmaking#sciart#drypoint
Public
Erik Purins
Happy #printdayinmay2024 #printdayinmay y’all.

Spent the afternoon finally printing the first telephone pole #drypoint #etching plate

I’d torn the paper a couple weeks back, but didn’t get to the #printmaking part until today!

Things that went well:
* water level in paper controlled with sprayer and blotting
* oil-based speedball block ink working better than others so far
* understood that wood spoon is the best pressure (compared to speedball baren)
* understood that work’s presses are both too small and inconsistent pressure to handle a 10x7 inch plate
Black and white drypoint etching on Stonehenge paper hangs from wire. Held up by small red plastic sewing / craft spring clips. Clips suspended from a fine wire. Cardstock is used to extend the clips to prevent the teeth marks of the clips from making an impression on the paper as it hangs to dry. In the background is a messy workshop.
A white plastic slab with black printmaking ink rolled out by a speedball brand rubber brayer. This is speedball water soluble oil based ink for block printing. Adjacent is a water based black ink. A workshop sink is on the left. Coffee supplies are on the counter to the right. An R2D2 lunchbox full of etching tools and supplies is behind the block. A redwood countertop stops at a baby blue wall.
A workshop sink is on the left. Coffee supplies are on the counter to the right. An R2D2 lunchbox full of etching tools and supplies is behind the block. A redwood countertop stops at a baby blue wall. An orange 32oz container of gojo brand abrasive hand soap is next to the sink.
A plexiglass etching plate held by my right hand. It is held over a prepared printing surface. The glass is marked for placing the plate. Marks for placing paper are further out. Card stock shims are taped to make a jig to hold the plate in the same place. In the background is a 15x10” piece of Stonehenge paper, dry and turned horizontal. The plate is not inked. In the background is a workshop and tools. Also some photos hung on a baby blue wall.
Public
bricoleur xérographe

bon de la pointe sèche, je grave sur du plexiglas ; là c'est imprimé sur du papier Wenzhou, (premiers tirages) c'est pas cher. Mais bon à savoir, un rouleau de papier Kraft à deux euros supporte très bien la gravure taille douce (pas le clairefontaine, c'est un papier kraft que j'ai trouvé à carrefour). Je poste çà, voilà

#drypoint
#MastoArt

gravure taille douce à partir d'un dessin d'après modèle vivant. J'utilise un compas à la place de la pointe sèche et du plexiglas à la place du cuivre ou zinc
sur cette gravure, on a l'impression que le train vient vers nous comme si je me rejouais l'un des premiers films des frères Lumière
gravure où l'on voit la gare, importance des imbrications entre différents espaces à savoir, le quai et les rails, la passerelle au dessus, les escalier, la présence d'une rangée de poteaux. Quelques personnes déambulent ici ou là
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Ele Willoughby, PhD

Experimenting with Tetrapak printing Daphnia, weird little planktonic crustaceans a few millimetres in length known as water fleas.

This one is Daphnia longispina, a Eurasian fresh water flea found in bodies of water of various sizes, as small as rock pools up to large lakes. They mainly eat algae.

Tetrapak printing is something you can do with Tetrapak containers - in this case an empty box of juice!
🧵1/
#printmaking #sciart #Daphnia #drypoint #etching #TetrapakPrintmaking #MastoArt

A grid of 6 Tetrapak intaglio prints of Daphnia longispina in green ink on 5” x 7” white papers laid out on a tabletop with a cutting mat on top. The circular printed area is embossed on the larger rectangular sheets of paper. The prints are varied. The water fleas (basically an oval shaped transparent animal with a pointed spike at the bottom, with head fused on its body and arms pointing out to the left, some internal organs and little green spots which are embryos can be seen) are printed with varied amounts of ink wiped off the plate.
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Erik Purins
Hand printing some #drypoint #etching with my daughter Pebbles.

Disappointed with the way the charbonnel black came out, but I liked how sticky it was to the plate. I think the pressure from a press would work way better.

Fall back to the speedball block ink which is runnier and can also dry up too fast. Seems to have best results with wooden spoon - baren doesn’t really yield the needed pressure.

#printmaking
Variety of etching misprints hanging to dry. Sewing spring clamps over folded Kraft paper hold prints to a thin wire hung between shelves in a narrow workshop. The print is black ink on white Stonehenge paper torn into quarters. A cat lays on a deck. Trees are above and below the deck.
Pebbles, a 17 year old girl wearing a white and pink terry cloth bunny ears hair band, burnishes the back of a print protected with a Kraft paper tympan.
Pebbles and her dad giving thumbs up, with misprints hanging to dry behind them. Dad is wearing a grey and pink terry cloth mouse ears head band.
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