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#FactoryRecords

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𝗔𝗻𝗻𝗮 𝗗𝗼𝗺𝗶𝗻𝗼 - 𝟭𝟵𝟴𝟲
Sorti en mars 1986 sur le label 𝗟𝗲𝘀 𝗗𝗶𝘀𝗾𝘂𝗲𝘀 𝗱𝘂 𝗖𝗿𝗲́𝗽𝘂𝘀𝗰𝘂𝗹𝗲, l’album éponyme d’𝗔𝗻𝗻𝗮 𝗗𝗼𝗺𝗶𝗻𝗼 est une belle curiosité musicale qui navigue entre pop sophistiquée, new wave et touches de jazz.
Lire la suite ⬇️
friendica.world/display/84b6ef

#AnnaDomino #lesdisquesducrepuscules #SynthPop #jazzpop
#MarcMoulin #AlanRankine #FactoryRecords
#Vinyl #vinycollection #vinyle #vinylecollection
#albumanniversaire #albumanniversary #80music #80s
#musicandmore #cejourla

𝗡𝗲𝘄 𝗢𝗿𝗱𝗲𝗿 - 𝗕𝗹𝘂𝗲 𝗠𝗼𝗻𝗱𝗮𝘆 - 𝟭𝟵𝟴𝟯

Le 7 mars 1983, 𝗡𝗲𝘄 𝗢𝗿𝗱𝗲𝗿 sortait 𝘽𝙡𝙪𝙚 𝙈𝙤𝙣𝙙𝙖𝙮. Une chanson qui allie l’héritage post-punk de 𝗝𝗼𝘆 𝗗𝗶𝘃𝗶𝘀𝗶𝗼𝗻 aux nouvelles influences électroniques. Dès les premières secondes, le beat mécanique de la boîte à rythmes, les synthés et la basse hypnotique de 𝗣𝗲𝘁𝗲𝗿 𝗛𝗼𝗼𝗸 installent une atmosphère futuriste et irrésistible.
42 ans après sa sortie, 𝘽𝙡𝙪𝙚 𝙈𝙤𝙣𝙙𝙖𝙮 continue de hanter les clubs, les playlists et les compilations en tous genres.

L’autre coup de génie de 𝘽𝙡𝙪𝙚 𝙈𝙤𝙣𝙙𝙖𝙮, c’est sa pochette conçue par 𝗣𝗲𝘁𝗲𝗿 𝗦𝗮𝘃𝗶𝗹𝗹𝗲. Inspirée des disquettes informatiques 5"1/4 utilisées à l’époque, elle arbore un design minimaliste et énigmatique, sans mention du titre ni du nom du groupe. Juste un code couleur sur la tranche. Mais cette audace a eu un prix: l’impression de cette pochette, avec sa découpe unique et ses finitions élaborées, était tellement coûteuse que 𝗙𝗮𝗰𝘁𝗼𝗿𝘆 𝗥𝗲𝗰𝗼𝗿𝗱𝘀 perdait de l’argent sur chaque exemplaire vendu. Un paradoxe pour ce qui reste le single 12" le plus vendu de tous les temps, avec plus d’un million de copies écoulées au Royaume-Uni.

youtube.com/watch?v=9Bul0dJVfF…


#neworder #bluemonday #petersaville #FactoryRecords
#postpunk #Music #synth-pop
#Vinyl #vinycollection #vinyle #vinylecollection #MaxiSingle
#albumanniversaire #albumanniversary #80music #80s
#musicandmore

In this clip from the Spotlight On podcast, Andy McCluskey talks about his fine arts education, the formation of Orchestral Maneuvers in the Dark in 1978, and the influence of art on OMD's aesthetic, including collaborations with Factory Records' acclaimed designer Peter Saville.

Listen to more of this fascinating conversation on the latest episode of Spotlight On: spotlightonpodcast.com/andy-mc

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From discussing Kraftwerk's impact to exploring art's role in resisting authoritarianism, this conversation with guest host Michael Donaldson offers a fascinating glimpse into the mind of one of electronic music's pioneers.

Don't miss this very special episode of the Spotlight On podcast: spotlightonpodcast.com/andy-mc

Ist das Format "Sammlung von Musikvideoclips" nach VHS und DVD eigentlich ausgestorben oder gibt's das auch auf Blu-ray? Ich habe den Umstieg auf Blu-ray nicht mitgemacht und schaue gerade die DVD-Compilation "Umbrellas in the sun" mit Clips von Factory Records, Factory Benelux und Les Disques du Crepuscule von 1979 - 1987.
Hier die Tracklist und weitere Infos:
discogs.com/de/release/441644-

In between books about #FactoryRecords I’m reading @pluralistic’s Pirate Cinema. It is right up my alley except I wish the protagonist had a bit more life experience, as talking about boners is not really the most exciting detail for me.
Cory wrote so many books in the last decade that I pretty much have an unlimited pile of them waiting.

Continued thread

#LesDisquesDuCrépuscle 🧵 3/7: There were a few new releases, and then suddenly this year they have really gone for broke! Originally released in 1981, “Chantons Noël: Ghosts of Christmas Past” is a festive compilation album updated with more recent tracks by Crépuscule and #FactoryRecords artists. lesdisquesducrepuscule.bandcam

Our next spotlight is on number 254 on The List, which yours truly submitted (Mastodon handle: buffyleigh).

ESG (or, Emerald, Sapphire & Gold) is an iconic no wave/post-punk/art-funk band, founded in 1978 by three sisters from the South Bronx, Renee, Valerie, and Marie Scroggins. After recording 3 songs for their 1981 “You’re No Good” single with the infamous Martin Hannett for Factory Records, the single was expanded and released the same year on 99 Records as their self-titled EP. Both the single and EP contain what is perhaps their most well-known work, albeit indirectly – the instrumental “UFO” is one of the most sampled songs ever, used in at least 580 tracks by artists such as The Notorious B.I.G., MF Doom, Public Enemy, N.W.A, Beastie Boys, TLC, Nine Inch Nails, and even Miles Davis. “Moody”, the other song from their initial single, and the EP in general, was also a huge hit in clubs and the house music scene. The band played the opening night of The Haçienda, the legendary Manchester nightclub.

Come Away with ESG is the band’s first full-length, containing songs from their previous EPs (including an extended version of “Moody”) as well as some other great danceable tunes. For this album, the Scroggins’ sister Deborah also joined. As with the previous EPs, the sound is minimal, stripped-down, and funky, focusing on drums, bass, congas, and some vocals sprinkled here and there. While it would be nearly 10 years until their next release (partially due to 99 Records shutting down soon after Come Away with ESG), the band remained active into the 90s, and continues today.

And indeed, though the LP and band in general have been cited over the decades by numerous artists as being enormously influential, ESG has recently had a well-deserved resurgence in attention. The self-titled EP was revamped into a 2015 Record Store Day release called The Moody EP (which is how they came across my radar). Come Away with ESG (with new cover art) was reissued by Fire Records for its 35th anniversary in 2018, and a 33 1/3 volume dedicated to the LP was published in 2023. A documentary on the band, Are You Serious? The ESG Story, directed by Renee Scoggins, was just released in January, with screenings accompanying live shows.

If you’re looking into what New York City’s no wave genre/scene of the 70s and 80s entailed, make sure to include ESG in your playlist!

[Alt text for accompanying image: The artwork is a collage created by torn up black and white photos of hands, a boombox, someone smiling, and a fire hydrant. The top and bottom are bright orange, with the album title in the top right corner, and small photos of the band members in the bottom right corner.]

https://1001otheralbums.com/2024/03/06/esg-come-away-with-esg-1983-us/

Continued thread

#NowPlaying: #Section25 - Dirty Disco (Best Of)
UK reissue.

The version I have on my hands doesn't even have an image on Discogs, and when I bought it new last month at the record store it had a stamp of being put on the shelf in 2018. This compilation album I feel is similar to #factoryrecords lablemates #NewOrder's Substance, in that it shows a development from #PostPunk towards #alternativedance with a hint of #synthpop, not chronological. I will look into more by Section 25!