« Into the wide wide world », 1907
Watercolor by John Bauer (Swedish artist, 1882-1918)
« Into the wide wide world », 1907
Watercolor by John Bauer (Swedish artist, 1882-1918)
“William Shakespeare was a powerful influence on Robert Burns… I count as many as 16 references to Shakespeare’s plays in his poetry”
—Prof Gerard Carruthers on the links & commonalities between Burns & Shakespeare
People played roles. They didn't live them. Society was a masquerade & everyone knew it, though few dared to step out of character. This wasn't cynicism. It was realism in wigs & powdered faces.
Then came #Romanticism with its trembling need to assert the self, to bleed authenticity across canvases, forests, & diaries. A rebellion, but not a liberation. It was simply a new mask. The cult of the authentic soul. Instead of hiding behind etiquette & roles, now one hid behind a tortured self-image.
Leonard Cohen & Lord Byron: “Go No More A-Roving”
on DEAR HEATHER, Columbia Records 2004
Good night, Geordie.
4/4
Byron’s poem borrows from the Scottish song “The Jolly Beggar” – often attributed to King James V (who reputedly liked to disguise himself as “the Gudeman of Ballangeich” to enjoy amorous adventures)
From Cromek’s SELECT SCOTTISH SONGS (1810):
2/4
Quintessential Romantic Lord Byron – “half a Scot by birth, and bred / a whole one” – died 201 years ago #OTD, 19 April 1824
Byron included this poem in a letter to Thomas Moore from Venice in 1817, when Byron was feeling particularly shagged out after Carnevale…
1/4
https://www.poetryfoundation.org/poems/43845/so-well-go-no-more-a-roving
because i've been reading a lot of his work again of late - & because i made the mistake of watching 'haunted summer' today in a fit of folly - had to have a go at depicting the laudanum daddy himself, percy bysshe shelley. naturally, i've romanticised him.
#percyByssheShelley #nature #illustration #poetry #romanticism #atheism #vegetarian
Musical Interlude: OK, one last evening of Romanticism, I promise. Here's a great violin piece I liked.
"Violin Concerto No. 1," composed by Camille Saint-Saens, performed by the New Philharmonia Orchestra, Ulf Hoelscher on violin.
Musical Interlude: My delving into musical Romanticism continues, with this somewhat lesser-known piece from a familiar name.
"Piano Concerto No. 2," composed by Pyotr Ilyich Tchaikovsky, performed by the Philharmonia Orchestra with Bruce Liu on piano.
Loch Coruisk in the Isle of Skye is one of the most spectacular and isolated places in the British Isles. The head of this freshwater loch is surrounded on three sides by the imposing volcanic Black Cuillin while the southern end runs into a small rivulet, which then discharges into a sea loch, Loch Scavaig. As with much of the Highlands, once it would have been thickly wooded. Deforestation has left it all the bleaker.
Sidney Richard Percy (1821-1886)
Approaches to Annotation: Insights & Challenges Editing Hogg & Woolf
15 May, University of Glasgow – free
Dr Megan Coyer & Dr Annie Strausa will reflect on two major textual editing projects. What are the different challenges faced by editors annotating modernist short fiction versus short fiction (& poetry) from a late Romantic-era periodical?
Musical Interlude: OK, time for more Romanticism. I'm digging these works right now, by a Liechtensteinian composer!
"Piano Concerto in A flat," composed by Josef Rheinberger, performed by the Berlin Symphony Orchestra, with pianist Michael Ponti.
Musical Interlude: More Romanticism? You bet! Here's a composer more people should know.
"Piano Concerto in F Minor," composed by Anton Arensky, performed by the Russian Philharmonic, with Konstantin Scherbakov on piano.
Musical Interlude: Doing more Romanticism today; here's a fun one.
"Double Piano Concerto in A-Flat Major," composed by Felix Mendelssohn, performed by the Nieuw Sinfonietta Amsterdam, with Love Derwinger & Roland Pöntinen at the pianos.
Musical Interlude: How about some piano? Delving some more into Romantic music, I found this lovely piece.
"Piano Concerto in E major," composed by Mortiz Moszkowski, performed by the Polish National Radio Orchestra, with Markus Pawlik on piano.
The Hallé / Chorus of Opera North / Sir Mark Elder / Germán Enrique Alcántara / Eri Nakamura / Iván Ayón-Rivas / William Thomas / Sergio Vitale / David Shipley
Verdi: Simon Boccanegra (Original 1857 Version) (2025)
#ClassicalMusic #Opera #Romanticism
https://open.spotify.com/intl-de/album/1YN2yvIuDwvYdcrE8f7jxw?si=-petQdc_Rlqbqsp6dC698Q
"The Three Stones in the Giant Mountains," Carl Gustav Carus, 1826.
Carus (1789-1869) was many things...a doctor, naturalist, psychologist, author, physiologist...but it's his career as a painter I'll be touching on. He was a student of the great Romantic Caspar David Friedrich, whose influence can be seen here.
This is (or was) a real scene in the Giant Mountains (Reisengeberge) on the Polish/Czech border. Carus traveled there in 1820, probably on the recommendation of Friedrich, who took several walking tours there. Friedrich was famous for his paintings of ruined towers and cathedrals; Carus here uses the three rocks as his own Gothic towers, and it's an impressive sight. He gives the scene immense atmosphere while also depicting the scene with scientific clarity. These days, more folks are making a case for the Romantics as forerunners of the Enlightenment, and I can see that here.
Makes me want to climb a mountain...
From the Staatliche Kunstsammlungen Dresden.
The #RomanticPeriodPoetryArchive sits at the crossroads of #ComparativeLiterature and the #DigitalHumanities.
It facilitates the collaborative #contextualization of #poems on any expression level (full-text, facsimile, recording, ...)