Special Issue of Computer Music Journal
Spaces, Places, and Sonic Traces: Considerations in Computer Music
Exploring soundscape studies from musical, technical, social, ecological, and cultural perspectives. Topics include composition, performance, analysis, machine learning, and AI in soundscapes.
Submit to: thp@purdue.edu
getting ready for #BandcampFriday: here's a thread with a bunch of what I've been playing and wishlisting lately. lots of dub techno and noise!
enn{kdog's Unsettling Franchise Reboot is out now. Tokinogake's President of Production says: "
️
It's been constantly on for the past month. Is this a sign that it's not working... Or optimistically working too well?" 
" " It is definitely not made for more than two adults [[ non-overlapping instance äª : please test óË◊Êπ!/öœœ
https://ennkdog.bandcamp.com/album/unsettling-franchise-reboot
Hey everybody! I'm new on sonomu.club and i want to do a little #introduction of myself:
I'm Philipp von Neumann, a composer-performer of #computermusic 
. I'm very much interested in #soundsynthesis, algorithmic structures and experimental approaches to form.
I'm here to find a community of like-minded people that share similar values
and interests.
I'm also a curator of concerts for #experimental #electronicmusic and i'm always searching for new music.
It would be nice if ... (1/2)
You can tell when you're ready to explore MAXMSP when you want to adjust the Repeat rate on a device to play for 3 bars then the 4th either raises the rate randomly or does a specific little jiggle for a varied but less random gesture. And if this makes no sense to you then congratulations because it makes no sense to me either. #maxmsp #max4live #max #computermusic #studiolife
P.S. @sean_ae if you answer this Ima block you because you & Rob typed your way to the moon & back on that AAA. :D
I've said it before, and I'll say it again: #PlugData is so damn nice. Really nice UI. Deffo the nicest and easiest way to get into this sort of stuff in 2025.
It's quite good, actually (not my video). For fans of #MortGarson and #WendyCarlos. Wonder who was commissioned to do it?
hey, i've been holed up for some months now making this thing, titled plasmatet-b! it is a piece of computer music. i learned a LOT about production and mixing (and a little bit about mastering) for this project. if you check it out, i hope it is enjoyable
!
https://petal-tone.bandcamp.com/track/plasmatet-b
#Music #OriginalMusic #FurryMusic #FurryMusician #ComputerMusic #ElectronicMusic
Close to releasing some loop-finding-folk-records interactive scenes, just a few props to add here. Thanks to the brilliant Lori Watson for letting me work with her songs! Uses #Wwise for audio. #computermusic https://vimeo.com/1073691066
4th Dimensional Xperiences on SOUND & FUTURISTIC iPOP (2024-2025) 
https://soundcloud.com/artistadimerda/sets/4th-dimensional-xperiences-on
"Free your mind and your ass will follow."
Work in Progress XPERIENCE
by Artista di Merda Ⓚ
#Electronicmusic #experimentalmusic #newagemusic #hypnagogicpop #hiphop
#bulldada #Pataphysics #Cyberpunk #computermusic #sampledelia #funk #UFO
Mathieu Chamagne & Lê Quan Ninh (Fr) / part_01 . . . . / Alternativa Unijazz Festival Praha 2024
https://vimeo.com/1057410104
Mathieu Chamagne & Lê Quan Ninh (Fr) / part_02 . . . . / Alternativa Unijazz Festival Praha 2024
https://vimeo.com/1058246256
Mathieu Chamagne & Lê Quan Ninh (Fr) / part_03 . . . . / Alternativa Unijazz Festival Praha 2024
https://vimeo.com/1058904401
17th International Symposium on Computer Music Multidisciplinary Research (CMMR 2025)
UCL East, London, UK
3–7 November 2025
Theme: "Sound, Music: Space, Place"—exploring sound, music & computing in cultural and spatial contexts. Tracks include papers, demos, music, installations, tutorials & workshops.
Deadline: 30/05/2025
https://imerc.blogspot.com/2025/03/fwd-1st-call-for-papers-cmmr-2025-sound.html?m=1
ABBA - MAMMA MIA
1990 Touch - Roger Duijckaerts (ReD) C64 Chiptune
https://www.youtube.com/watch?v=DtgBLmU8A-0
#bulldada AF
#electronicmusic #ABBA #commodore64 #Chiptune #computermusic
"This synthesizer is the world's first programmable music synthesizer. The first piece of electronic music to win the Pulitzer Prize was made on it. Basically a two voice synthesizer with tone generation and composing in the left hand side and processing on the right hand side, including manual binary for the ordering of the effects processes. Which, for its time, essentially like a Turing computer, was one and a half tons, seven feet tall, 14 feet wide — it's quite a behemoth, but now it's a very large paperweight."
—Seth Cluett, Director, Computer Music Center and Lecturer in Computer Music & Sound Studies at Columbia University
Catch the full article, video, and podcast episode of Music Evolves: https://www.linkedin.com/pulse/how-technology-changing-way-we-make-music-look-inside-sean-martin-wp96e
️
iNDUSTRIES 
